MBT Fine Arts
Inspiration without Limitation

"I am not what I am. I am what I do with my hands."
                                       Louise Bourgeois
About the Artist                                                          About the Fiber

Although some might call me a self-taught artist, I prefer to think of myself as unconventionally trained.  I studied literary arts in college and worked as a freelance writer of political and social commentary.  Once my family was established and settled however, I launched an at-home art consulting company.  For four years I represented Bay Area emerging artists, making studio visits and organizing exhibitions in my home.  In addition, I worked as a docent at SFMOMA for four years.  These experiences offered an art education unavailable in the classroom.  Admittedly, I believe artists are born not made.  And it is the lucky artist who stumbles upon the path to her destiny: expressing what it is to be human.

 

As an abstract painter, I’m interested in the interplay between organic and geometric forms - the negative spaces from which they project.  My work is an attempt to communicate inspiration through visual intuition.   It’s often difficult to explain inspiration but we know when we see it.  It’s an intuitive knowing.  When the paintings are successful, the viewer recognizes inspiration.  He/she is reminded of a moment of it.  The experience is intuitive but profound.  It is why the painting holds our gaze.

 

Painting is like telling a story but it’s one I’ve never heard. So as I’m telling it to you, it’s revealing itself to me.

Although paint is my primary medium, fiber has become a recent passion. The knitted and felted handbags and tapestries are designed and executed by me.

Each piece is hand knit then felted in a washing machine and contains a small "bulb" of original, non-felted stitches - a Japanese technique called Shibori. The Shibori bulb is a visual representation of artistic process and a symbol of my work.

My yarn of choice is Manos Del Uruguay, a cooperative formed in 1968 to provide work for women in the rural villages of Uruguay. The yarn is handspun and dyed by over 350 women in 17 locations.

I am very interested in sustainable microenterprises, especially those that benefit women and firmly believe our humanity is linked to the use of our hands. The handbags and tapestries I create are beautiful yes, but through the work of my own hands I feel connected to the women of Uruguay, “Changing the World One Skein at a Time”. When discussing my work with potential collectors, I’m raising awareness of the plight of rural women, promoting the value of the handmade object, and advocating sustainability in general.